Hvorfor Elvis Presley ikke er kongen til årtusinder

Hvorfor Elvis Presley ikke er kongen til årtusinder

Millennials, viser det sig, er ikke alle rystede over Elvis. (De fleste af dem ville ikke engang få referencen.)

Ifølge en nyhedshistorie, der tog udgangspunkt i resultaterne af en meningsmåling blandt 2.034 briter af YouGov, et internetbaseret markedsundersøgelsesfirma, havde 29 procent af 18- til 24-årige aldrig lyttet til en Elvis-sang. Kun 8 procent af dem i aldersgruppen lyttede til Elvis månedligt, mens ingen lyttede til ham dagligt. Kun 12 procent af disse adspurgte sagde, at de kunne lide Elvis “meget”, hvorimod The Beatles (23 procent) og David Bowie (25 procent) syntes at appellere betydeligt mere til under 24-sættet.

Ifølge Spotify blev Elvis streamet 382 millioner gange i 2016; et tal, der antydes at være sørgeligt i forhold til David Bowie (600 millioner), Michael Jackson (600 millioner) og The Beatles (1,3 milliarder).

Historien kom varmt i hælene på rapporter om Elvis -memorabilia, der faldt i værdi. Tilsammen syntes det at være en katastrofe for Presleys arv og fremtidige pladesalg.

Det burde egentlig ikke være overraskende, at Presley, der engang udløste noget som masse -teenagehysteri, men sidst satte sin fod i et studie i 1975, ikke længere giver genklang hos yngre generationer, som han engang gjorde. Det er langt mere unormalt og overraskende, at en som eks-Beatle Paul McCartney, der fyldte 75 i juni, har noget, der ligner en aktiv tusindårig fanskare, at dømme efter hans mange, mange, mange tilbedende unge kvindelige fans på sociale medier.

”Bekymrer vi os om Picasso appellerer til årtusinder? ” spørger Kim Adelman, forfatter til Pigernes vejledning til Elvis: Tøjet, håret, kvinderne og mere! "Hvor mange andre kunstnere taler vi stadig om, der ramte den stort i 1956 eller døde i 1977?"

Faktisk forventedes Presley i 50'erne at være lidt mere end et glimt i panden. Presleys popularitet og arv har varet på en måde, end ingen havde forestillet sig var mulig - herunder Presley selv, som han gjorde det klart i et interview fra 1961:

"Da du udgav den første plade, troede du, at du ville få en så succesrig karriere som du har?"

”Nej, det tror jeg ikke, at nogen gjorde, gjorde vi, hr. Philips? [latter] Det tror jeg ikke. Ingen havde egentlig nogen idé. ”

Selvfølgelig er der visse elementer i Elvis -arven, som en yngre generation måske smiler eller strækker sig over. De hvirvlende, springende Elvis -efterlignere - med lidt hjælp fra The Simpsons- har uden tvivl vendt det ikoniske billede til noget af en tegneserie. Og der er ingen undslippe forlegenheden ved Presleys fysiske tilbagegang i hans senere år, hvor en restaurant i New York byder på gratis stegt jordnøddesmør og banansandwich til minde om hans dødsdag.

Mere alvorligt skadelig for Presleys ry er troen på, at han tiltrådte lyden af ​​sorte kunstnere. Det er en anklagelse, der er vedvarende på trods af en ældre generation af sorte kunstnere, der forsvarede Presley imod den: "Mange mennesker har beskyldt Elvis for at have stjålet den sorte mands musik," bemærkede soulsangerinden Jackie Wilson, "når faktisk næsten hver sort solo entertainer kopierede sine scenemåder fra Elvis. ” Måske endnu mere ubehageligt i dag er Presleys forkærlighed for mindreårige, herunder hans kone, Priscilla, der var 14—10 år yngre - da de mødtes første gang.

Som musikalsk kunstner er der en slags historisk skel mellem Elvis Presley, der introducerede et væld af unge mennesker til begrebet hvid rock'n'roll, og The Beatles, der - inspireret af Presleys eksempel - fortsatte med at hæve form. Presley, hvis vigtigste ikoniske øjeblik gyratingly optræder "Hound Dog" i fjernsynet i 1956 med en kontrabasist, der plukkede væk og grinede bag sig, har patinaen i en langt fjernere alder om ham, da verden var i urelateret sort-og -hvid; The Beatles 'ubarmhjertige musikalske eksperimenter, innovative produktionsteknikker og technicolor -outfits fra 1966 og fremefter føles lydmæssigt dristige selv i dag.

Men ifølge John Lennons egen beretning: "Intet påvirkede mig, før jeg hørte Elvis. Uden Elvis ville der ikke være nogen Beatles. ” For George Harrison var det at høre “Heartbreak Hotel” en “rock’n’roll epiphany”-han blev guitar-besat efter at have stødt på det.

I sidste ende kan Presleys resonans med teenagere fra det 21. århundrede og tyveogtyve som helhed være begrænset til nogle få udvalgte, men gør det noget? Hans indflydelse på den demografiske i 1950'erne, inklusive The Beatles, var intet mindre end åbenbarende, og musikken har aldrig været den samme. I 2015 lancerede Spotify et værktøj kaldet "The Elvis Influence", som algoritmisk kortlægger de musikalske grader af adskillelse mellem Presley og enhver anden kunstner, du gerne vil indtaste i søgelinjen. Dette gør det muligt at spore Justin Biebers indflydelse tilbage til Michael Jackson, der til gengæld var inspireret af Paul McCartney, der tog ledetråd fra Presley. Ed Sheeran var derimod påvirket af Nina Nesbitt, der var inspireret af Nirvana, der så til Neil Young, der var påvirket af Presley.

Og for de yngre mennesker, der er så tilbøjelige - som f.eks. De førnævnte 12 procent, der kan lide Kongen "meget" - er Presleys musik og film stadig ude at blive opdaget. (Det er sandsynligvis også relevant at påpege, at en meningsmåling fra 2012 fra det samme firma viste, at 95 procent af briterne troede, at Elvis Presley var død, mens 12 procent af dem mente, at månelandingen aldrig skete.)

Selvom nutidens unge måske ikke streamer Elvis 'musik med opgivelse, ser rapporter om The King's irrelevans ud til at være stærkt overdrevne. I 2016 blev Presley's Vidunderet af dig, et samarbejde med Royal Philharmonic Orchestra, var det femte bedst sælgende album i Storbritannien, med Bowie's Sort stjerne kommer på sjette.

Faktum er stadig, at "Elvis" 60 år efter hans storhedstid stadig er et kendt navn og klar til at blive opdaget af alle, der har lyst til at opsøge ham i al sin hoftesvingende herlighed.

"Hvis du aldrig har været udsat for Elvis, er det bare at se et klip af ham i aktion," siger Adelman. "'Hvad er det? Jeg vil have mere! ’” Var reaktionen fra unge mennesker i 1956, da han så ham videre Ed Sullivan Show. Det fortsætter med at være reaktionen, når unge mennesker snubler over Elvis i sin bedste alder for første gang. ”


Sandheden om Elvis Presleys manager

Mere end 40 år efter hans død er Elvis Presley fortsat en af ​​de mest berømte og lettest genkendte mennesker i historien. I hele Presleys næsten 25-årige karriere som "Kongen" var hans manager, "oberst" Tom Parker, manden, der tog alle karrierebeslutninger. Ofte fotograferet med Presley blev Parker en berømthed i sig selv, normalt afbildet chomping på en cigar.

Parker havde et ry for at være utrolig beskyttende over sit forhold til Presley - og for at isolere sangerinden og opmuntre hans nedstigning til stofmisbrug og dårligt helbred, en cyklus, der resulterede i Presleys tidlige død i en alder af 42. Efter en utrolig succes i 1950'erne, en periode, hvor Presley kom til at definere den nye lyd af rock and roll, faldt hans popularitet i 1960'erne efter en periode i hæren og en række dovne, dårligt modtagne film. Opfattelsen af ​​Parker skiftede, da han syntes at misforvalte Presleys karriere i jorden og prioriterede kortsigtet overskud frem for langsigtet succes.

Alt dette savnede dog pointen: Parker var en utrolig hemmelighedsfuld mand, der formåede at forblive mystisk på trods af at have brugt årtier som en af ​​de mest berømte mennesker i landet. Mod slutningen af ​​sit liv begyndte Parker imidlertid at miste kontrollen over både Elvis Presleys arv og sin egen historie, og i dag kender vi sandheden om Elvis Presleys manager.


Kongen går til FBI

Elvis afsmag fra Beatles sluttede ikke bare med sin rejse til Det Hvide Hus. Under sin tur til FBI -kontorer siger optegnelserne, at han havde meget ros til J. Edgar Hoover. Men kort tid efter fulgte han med sin ‘idea ’ af Beatles ’ indflydelse på unge amerikanere.

The Beatles lagde grunden til mange af de problemer, vi har med unge mennesker, på grund af deres beskidte uplejede fremtoninger og suggestive musik.

Men for et halvt årti siden kunne ingen have troet, at Elvis forsøgte at få banneret Beatles for et stykke tid siden, da de to mødtes i Hollywood.


Indhold

Nitten-årige gymnasieelev Danny Fisher (Presley) arbejder før og efter skole for at forsørge sin overlevende familie: hans far (Dean Jagger) og søster Mimi (Jan Shepard). Efter Dannys mor døde mistede hans sørgende far sit job som apoteker og flyttede sin fattige familie til det franske kvarter i New Orleans.

På job en morgen redder Danny Ronnie (Jones) fra sin voldelige date. Efter en taxatur til Dannys gymnasium kysser Ronnie ham. Danny reagerer på at være vidne til skolekammeraters drillerier ved at kysse Ronnie tilbage og derefter slå en af ​​dem i ansigtet, når han kommer med en drillende bemærkning. Danny bliver indkaldt, hvor Miss Pearson (Helene Hatch), hans lærer, siger til rektor Evans (Raymond Bailey), at Danny ikke vil tage eksamen på grund af hans dårlige indstilling. Mr. Evans er sympatisk, men magtesløs til at hjælpe, så Danny beslutter sig for at droppe skolen for at finde arbejde, mod sin fars ønske, der forsøger at overbevise Danny om at blive i skolen.

Da Danny forlader skolens område, lokker tre unge mænd ham ind i en gyde. Deres leder, Shark (Vic Morrow), ønsker hævn for, at Danny ramte den drillende elev i skolen, der viste sig at være hans bror. Danny forsvarer sig selv så godt, at det imponerer Shark, så Shark inviterer Danny til at slutte sig til sin bande. Shark har derefter Danny til at hjælpe banden butikstyveri på en fem-og-dime ved at synge "Lover Doll" for at distrahere kunder og personale.

Kun Nellie (Dolores Hart), der arbejder i snackbaren, bemærker Dannys medvirken til tyveriet, men hun giver ham ikke.

Senere samme aften møder Danny Ronnie igen på The Blue Shade natklub, hvor Danny nu er ansat. Først foregiver hun ikke at kende ham, da hun ledsages af sin kæreste og klubbens ejer, Maxie Fields, alias "The Pig" (Matthau). Når Maxie ikke tror på hende, hævder hun, at hun hørte Danny synge en gang. Maxie insisterer på, at Danny beviser, at han kan synge. Hans gengivelse af "Trouble" imponerer Charlie LeGrand (Paul Stewart), den ærlige ejer af natklubben King Creole, det eneste natsted i området, der ikke ejes af Maxie. Imponeret tilbyder LeGrand Danny et job som sanger i sin klub.

Efter at have forladt klubben mødes Danny med hajbanden for at få en del af den natlige optagelse. Han gør derefter sin vej til de fem og krone ved lukketid for at se Nellie. Danny inviterer Nellie til en fiktiv fest på et hotelværelse. Nellie finder ingen andre der og begynder at græde af frygt og forlader efter at have indrømmet, at hun stadig vil se Danny igen, men ikke under disse betingelser.

I mellemtiden finder Fisher ansættelse som farmaceut i et lokalt apotek, men hans chef, hr. Primont (Gavin Gordon) - som modvilligt hyrede Mr. , meget til Danny's forlegenhed. Den situation gør det lettere for Danny at gå imod sin fars ønsker og acceptere Charlies jobtilbud. Da Danny bliver et hit på King Creole, prøver Maxie at ansætte ham. Danny afviser sit tilbud af loyalitet over for Charlie.

Shark, der nu arbejder for Maxie, foreslår Danny, at de slår Primont for at hjælpe sin far. En nat da Mr. Fisher forlader butikken iklædt Primonts hat og frakke (udlånt på grund af en regnvejr), genkender Shark ham, men beslutter sig for at kruske ham alligevel, da det ville være endnu bedre til Maxies formål. Dannys far er så hårdt skadet, at han har brug for en dyr operation, så Maxie betaler for en specialist for at udføre det. Maxie afpresser senere Danny for at underskrive med ham ved at true med at fortælle sin far om hans engagement i tyveriet, og gør det alligevel. Forarget, Danny støder Maxie for forræderiet og hjælper Ronnie med at undslippe ham.

Maxie sender sine håndlangere efter Danny. Haj og et andet bandemedlem fanger ham i en gyde. Danny slår en af ​​sine forfølgere ud. Så stikker Haj Danny, men dræber sig selv i kampen. Ronnie finder en voldsomt blødende Danny og tager ham med til sit hus på en bayou for at komme sig. Hun beder ham om at glemme hendes grimme fortid og foregive at elske hende. Danny svarer, at det ikke ville være svært og kysser hende. Maxie kører op, ledsaget af Dummy (Jack Grinnage), medlem af Dannys tidligere bande. Maxie skyder dødeligt Ronnie. Dummy, der var blevet ven af ​​Danny, kæmper med Maxie. Pistolen går af og dræber dens ejer.

Danny vender tilbage til King Creole. Han synger linjerne "Lad os tænke på fremtiden, glem fortiden, du er ikke min første kærlighed, men du er min sidste" til Nellie i publikum. Mr Fisher dukker også op for at lytte til sin søn synge.

    som Danny Fisher som Ronnie, Maxies elskerinde som Maxie Fields, den lokale gangster som Nellie, en fem-og-dime-medarbejder, der falder for Danny som Mr. Fisher, Dannys far som 40 Nina, en stripper på King Creole natklub som haj, Maxies hovedbøller som Charlie LeGrand, ejer af King Creole som Mimi Fisher, [1] Dannys søster som Sal, medlem af Shark's bande. [2] som Dummy, et stumt medlem af Shark's bande. [1] som Eddie Burton som Mr. Evans, skolelederen som Mr. Primont, apotekschef og Mr. Fishers anmassende chef

Hal Wallis erhvervede rettighederne til En sten til Danny Fisher i februar 1955 for $ 25.000, [3] med den hensigt at give hovedrollen som en New York -bokser til enten James Dean eller Ben Gazzara. Rollen blev oprindeligt skrevet til Dean, men projektet blev aflyst efter hans død i 1955. [4] I januar 1957, efter succesen med en off-Broadway sceneversion af historien, blev Presley foreslået som en mulig erstatning. [5] Efter forhandlingerne var afsluttet, blev Fishers karakter ændret fra en bokser til en sanger, og stedet blev flyttet fra New York til New Orleans. [6]

Wallis valgte Michael Curtiz, en kendt direktør for Hollywood -studiosystemet, hvis værker inkluderede Robin Hoods eventyr, Yankee Doodle Dandy og Casablanca. [7] Curtiz besluttede at skyde filmen i sort / hvid for dramatisk stemning og for at give gaderne et film noir -udseende. Han valgte også en erfaren cast til at støtte Presley, herunder Walther Matthau og Carolyn Jones, samt Dolores Hart, Presleys medspiller i filmen fra 1957 Elsker dig. [8] Curtiz instruerede en "overrasket" Presley om at tabe femten pund og barbere sine bakkeben for rollen, som begge Presley gjorde. [9]

Den 20. december 1957, en måned før optagelserne skulle begynde, modtog Presley sit udkast til meddelelse. [10] Presley og Paramount måtte anmode om særlig tilladelse til at udsætte Presleys optagelse for at tillade ham at afslutte filmen. Begge påpegede over for udkastet til bestyrelse, at en forsinkelse i optagelserne ville koste dem en stor sum penge investeret i forproduktionen af ​​filmen. Den 27. december modtog Presley en 60-dages udskydelse. [11] [12]

Optagelserne fandt sted mellem den 20. januar og den 10. marts 1958, mest i Paramount Studios i Los Angeles, Californien, [5] og på stedet i det franske kvarter i New Orleans, Louisiana, mens bayou -scenen blev filmet ved Pontchartrain -søen. [13] Under optagelserne blev Presley konstant bevæget for at undgå de skarer af fans, der kom for at se ham på stedet, hvilket forsinkede filmfremstillingen. Wallis havde lejet et hus for Presleys privatliv, og et andet efter at en af ​​hans assistenter bemærkede, at bagsiden af ​​husene i blokken førte til bagsiden af ​​husene på den tilstødende gade. For at flygte fra folkemængderne ville Presley klatre op på taget af det ene hus og krydse over på taget af det andet. [14] [15] Efter at en fan opdagede sin vej, boede han på tiende sal i Beverly Wilshire Hotel, som blev lejet for hele rollelisten. [10]

Inden optagelserne begyndte, var Curtiz overbevist om, at Presley ville være en "indbildsk dreng", men efter et par ugers arbejde sammen beskrev han Presley som en "dejlig dreng", der ville blive en "vidunderlig skuespiller". [9] Presley, efter at have set en tidlig kopi af den færdige film, takkede Curtiz for at have givet ham muligheden for at vise sit potentiale som skuespiller, han senere ville nævne Danny Fisher som sin yndlingsrolle i sin skuespillerkarriere. Fjorten dage efter afslutningen af Kong kreolsk, Blev Presley officielt optaget i den amerikanske hær. [5]

Filmen blev første gang vist på Loew's State Theatre i New York City [1] den 2. juli 1958. [16] I åbningsugen rangerede den som nummer fem i billetkontorindtjening på Bred vifte national undersøgelse. [17] Filmen modtog kritisk anerkendelse.

I løbet af maj 1959 mexicansk premiere i Américas Cinema i Mexico City startede et optøj, da ifølge de lokale aviser 600 teenagere brød ind i teatret uden at betale adgangsgebyret. Publikum besatte altanområdet og ødelagde sæderne, mens de smed tændte papirer og affald til ledsagerne. Da nogle kvinder forsøgte at forlade lokalerne, blev de fjernet af optøjerne. Gruppen blev rapporteret at være en blanding af universitetsstuderende og andre lokale, der sluttede sig til. Politiet mod oprør ankom til stedet, hvor de spredte mængden, mens der ikke blev anholdt. [18] Forfatter Parménides García Saldaña fortalte senere om hændelsen på sin artikel "El Rey Criollo", hvor han detaljerede om tilstedeværelsen af ​​bander og deres chikane af de fremmødte kvinder. [19]

Kritisk modtagelse Rediger

Elvis Presleys nye film former sig som en box-office-vinder. Det har masser af action og karakterisering, og stjernen giver sin bedste skuespilpræstation til dato. (the) Hændelser og karakterer i den originale roman er forvrænget, men plottet står godt op, og dialogen er salt og følelsesfyldt. Som Danny udviser Presley forbedret histrionik og giver mange bevægende og anspændte øjeblikke. Carolyn Jones er en knockout som en faldet trost, der gerne vil elske ham, deres afbrudte romantik giver billedet sine fineste scener. [20]

Bred vifte erklærede, at filmen "Viser den unge stjerne [Presley] som en bedre end fair skuespiller". [21] New York Times gav også en positiv anmeldelse:

Mr. Curtiz og hans spillere har fået det stramt draperet om hr. Presleys skuldre. Og der bliver den ved, indtil en slap melodramatisk hjemmestrækning, selv med omkring otte af de rykende, gyrerende musikalske mellemspil. . Disse kendetegner også perfekt Bourbon Street honky-tonks, som hr. Curtiz og hans fine fotograf, Russ Harlan, har besværligt gennemblødt af atmosfære. Melodierne, der matcher eller balancerer, er mindst syv karakteriseringer, der leverer den rigtige rygrad og fortæller historien om billedet. . for Mr. Presley, i sit tredje skærmforsøg, er det en fornøjelse at finde ham op til lidt mere end Bourbon Street råbe 'og wigglin'. Skuespil er hans opgave i dette klogt polstrede udstillingsvindue, og han gør det, så hjælp os over et stakit. [22]

Tilskuerenkritiserede imidlertid forholdet mellem Presleys karakter og hans kærlighedsinteresser:

Pigerne i hans (Michael Curtiz) seneste film, King Creole, spilles begge af gode, seriøse skuespillerinder: Carolyn Jones .. og Dolores Hart,. begge viser sig at være sultne, desperat, frygtløst forelskede i ham (Presleys karakter). De har ingen eksistens, undtagen i ham gør de ikke andet end at vente på ham håb på intet andet end en lidt grov kærlighed. I stedet for at blive kysset, tigger de om kys, som hr. Presley skummelt og modvilligt deler ud nu og da, mens luften fra en lille, ihærdig dreng bliver presset til at spise skumfidus, og selvom han føler sig lidt syg, ved han ikke helt, hvordan han skal komme ud af det. (det) ser virkelig ud til at antyde, at det er en gud, der kommer ned blandt os for en besværgelse, og når den er øm og uendelig tålmodig på trods af den lange fortid om utroskab, nonchalance og hvad der ser ud til en iagttager som almindelig ligegyldighed fra ham, var hendes læber klar for kysset, der ikke kommer. Som det mest ekstreme eksempel på et nutidigt idol er Mr. Presley temmelig fascinerende, og selvom du i første omgang kan blive afskrækket af hans blege, hævede, forslåede babylige ansigt, af den trætte kerubiske dekadens, du måske forestiller dig i Nero, og den overdrevne fedtethed af hans alt for lange, spidsede låse, hans film, uanset hvor dårlige (og King Creole er temmelig lavt på sin liste), er værd at tage et kig på. [23]

Om Presleys præstationer, Down Beat skrev: "Lad det bemærkes, at Elvis Presleys nyeste, King Creole, er hans hidtil bedste billede-naturligvis relativt set. Måske omkring 10 film mere (og lige så mange dramatrænere) fra nu af kan Elvis begynde at få en formodning hvad skuespil handler om. " [24] TV-radio spejl magasinet roste Presleys skuespil over sine tidligere roller: "Elvis Presley gør sit hidtil stærkeste skuespil. For to år siden var Presley på skærmen et grin. Men ingen griner nu". [25] I mellemtiden har The Månedlig filmbulletin kritiserede den vold, der er afbildet i filmen, og vurderede filmen til en III, der betegner fattige og siger: "Denne sammenfiltrede serie af klicheer, hver med mere usandsynlig motivation end den sidste, giver det mest uattraktive Presley -køretøj hidtil. Hans numre tilbyder kun midlertidig lindring fra den beregnede vold og ondskab, og han kan ikke gøre meget for at afbalancere den ubehagelige film ”. [26]

Commonweal beklagede den manglende straf til hovedpersonen for sine handlinger, men roste instruktøren for hans indflydelse på Presley:

Uden tvivl vil voksne ikke blive rørt meget af "King Creole" på den ene eller den anden måde, men desværre kan teenagepublikum blive taget til sig, især da Danny formodes at være en sympatisk karakter og i sidste ende bliver ustraffet af politiet for hans forbrydelser. Det må siges til fordel for direktør Michael Curtiz, at det lykkes ham at få Presley til at handle nu og da, men kortene er stablet på en så oplagt måde mod Danny, at selv Montgomery Clift ikke kunne have håndteret rollen med overbevisning. [27]

Med en rolle - en dårligt stillet ungdom, der til og fra viser en vis værdighed og ærlige ambitioner - der kræver en vis histrionisk indsats, viser Presley tegn på, at han er ved at få styr på skuespillet. Selve billedet bliver imidlertid efter en lovende nok begyndelse til en lurvig melodramatisk hash sammensat i omtrent lige stor del af ungdomskriminalitet, gangsterisme og sex. Disse kan være legitime dramatiske emner, men manuskriptet giver dem et ulovligt synspunkt og efterlader forvirrede moralske spørgsmål hangende. [28]

fyren er ikke en dårlig skuespiller. Selvfølgelig er han slet ikke sensationel, og Oscar -prisen er ikke i fare, men der er Hollywood -vaner, der har klaret sig i årevis med mindre evner. I betragtning af den normale mængde af den mere omhyggelige type retning er det helt muligt, at Mr. Wiggle-hips kunne udvikle sig til en virkelig kompetent skuespiller. Så længe, ​​som han kan fortsætte med at tiltrække publikum i nuværende størrelser, er der dog ikke meget behov for at bekymre sig om dramaskoler. [29]

Allrovi bedømte filmen med fire stjerner ud af fem og sagde: "Filmens højdepunkt er en kort udveksling af fisticuffs mellem Elvis og Walter Matthau. Sammen med Jailhouse Rock er King Creole et af de bedst filmede eksempler på den utæmmede, pre-hær Elvis Presley ". [30]

På anmeldelseaggregatoren Rotten Tomatoes har filmen i øjeblikket en score på en perfekt 100% godkendelsesvurdering baseret på 22 anmeldelser, med et vægtet gennemsnit på 6,79/10. [31]

Filmen blev udgivet på VHS af Paramount Pictures i 1986. [32] I 2000 blev den genudgivet på dvd med remasteret lyd og billede med den originale teatrale trailer. [33] Den 21. april 2020 blev den udgivet på Blu-ray for første gang som en del af etiketten "Paramount Presents".


Elvis Presley var "nær hysteri " efter hans mor døde

Elvis Presleys mor, Gladys, fødte sin søn den 8. januar 1935 kort før daggry. Ifølge Elvis Australia leverede hun tidligere den morgen en anden dreng, Jesse Garon, der var dødfødt. Som outlet skriver, da både mor og søn vendte hjem, "blev det bemærket af familiemedlemmer og venner, at hun var overbeskyttende over for sin nyfødte søn", måske på grund af en paranoia om, at der også ville ske noget forfærdeligt med ham . Selvom et sådant tab kan påvirke både mor og den resterende søskende (via Mississippi History Now), udviklede Elvis og Gladys et utroligt stærkt bånd. Gladys blev set som "en stærk og støttende tilstedeværelse i [hendes søns] liv", så du kan forestille dig, hvor traumatiseret crooner var, efter at hun døde som 46 -årig på grund af et pludseligt hjerteanfald.

Om Mennesker, var "Love Me Tender" -sangeren blevet udarbejdet af den amerikanske hær fem måneder tidligere, men efter at Gladys blev syg, fik han syv dages orlov til at se hende, to dage før hjerteanfaldet krævede hende. Om hendes bortgang fortalte Elvis til Associated Press (via Mennesker), "Det knuste mit hjerte. Hun var altid min bedste pige."

Under Gladys begravelse den 16. august 1958 rapporterede AP, at hendes søn var "nær hysteri" (via Elvis History Blog). Grædende gennem hele gudstjenesten blev Elvis senere citeret for at sige: "Åh Gud, alt hvad jeg har er væk. Jeg levede mit liv for dig. Jeg elskede dig så højt."


Elvis Presleys private sygeplejerske forklarer, hvorfor kongen var 'elendig' i sine sidste år

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Elvis Presleys tidligere private sygeplejerske Letetia Henley Kirk har haft kongen i tankerne.

Musikikonet døde for næsten 43 år siden, den 16. august 1977, i en alder af 42 år fra et hjerteanfald, som læger sagde sandsynligvis var forårsaget af hans afhængighed af receptpligtige barbiturater.

Kirk mødte Presley første gang i 1968, da hun behandlede ham på en medicinsk klinik i Memphis for sadelsår, rapporterede Closer Weekly. Den 78-årige huskede, hvordan Presley ville se ned, da lægerne talte med ham

"Jeg gik hen, løftede hans hage og sagde: 'Elvis, hvis du taler til mig, ser du på mig,'" sagde hun.

Elvis Presley under en forestilling i NBC Studios i Burbank, CA. (Foto af Gary Null & amp Frank Carroll/NBC/NBCU Photo Bank via Getty Images)

Ifølge Kirk var Presley imponeret over sygeplejersken og hendes "landeveje". I 1972 ansatte han hende som sin sygeplejerske, såvel som hendes mand for sikkerheds skyld. Kirk, hendes mand og deres døtre befandt sig snart i Graceland.

"Elvis havde en måde at få, hvad han ville," sagde Kirk.

Kirk delte, at trods Presleys berømmelse og formue var han ofte ensom. På det tidspunkt var han og hans kone Priscilla Presley adskilt.

"Han var meget familieorienteret," forklarede Kirk. “[Han og Priscilla] var fortsat meget tætte på telefonen. ... Han ville have en ledsager, men det var svært for en af ​​hans størrelser. ”

Samme år blev Presley involveret i Miss Tennessee Linda Thompson fra 1972.

Linda Thompson (til venstre) poserer med sin daværende kæreste Elvis Presley og hendes forældre. (Getty)

"Han var meget, meget glad for Linda," sagde Kirk og tilføjede, at Thompson var en "intelligent ... fantastisk dame."

Men romantikken var ikke beregnet til at være. Ifølge afsætningen forlod Thomas Presley et år før hans død, fordi hun sagde, "det var udmattende ... at se ham langsomt selvdestruere."

Kirk sagde, at Presley forsøgte at finde trøst ved at læse Bibelen, men ensomheden forlod ham ikke.

"Han var en meget åndelig person," forklarede hun. »Verden tror, ​​at han har alt, og alligevel er lykken ikke der. Han var elendig, fordi han havde taget så meget vægt på. Han vidste, at han ikke ville være i stand til at optræde, som han ville. ”

"Vi delte mange timer sammen," fortsatte hun. ”Jeg så tristheden og lykken. Jeg så sårbarhed. Jeg var meget heldig [at have kendt ham]. Jeg ville ønske, at der var noget, jeg kunne have gjort for at gøre ham til et lykkeligere menneske. Han var ikke kun min patient, men en god ven. ”

Elvis Presley i sine sidste år. (Foto af Ron Galella/WireImage/Getty)

Kirk hævdede, at hun forsøgte at forbedre Presleys kost, men det holdt ikke. I stedet påstod hun, at receptpligtige lægemidler "kom overalt".

"Hans adgang til medicin var overvældende," hævdede hun.

I midten af ​​70'erne var Presley i faldende fysisk og psykisk sundhed, rapporterede history.com. Sangeren havde udviklet en farlig afhængighed af receptpligtige lægemidler og vendte sig til overspisning. Presley, der engang var et tidligere teenage -idol, havde fået en betydelig vægt. Outlet bemærkede, at Presley i løbet af de sidste to år af sit liv lavede uregelmæssige sceneoptrædener og levede næsten som en eneboer.

Kirk arbejdede på hendes klinik, da hun modtog besked om, at Presley var død.

"Havde han haft øjeblikkelig lægehjælp, er der en stor mulighed [han kunne have levet]," sagde hun. “Men hvem ved? Jeg vil bare have, at verden skal vide, hvilken stor, intelligent, venlig, åndelig person han var. Han var en meget speciel person. ”


Ikke længe efter at Elvis Presley pludselig døde i en alder af 42 i august 1977, hans elskede datter, Lisa Marie Presley, der var 9, vandrede ind i stuen til hendes fars private sygeplejerske Letetia Henley Kirk, der boede på Graceland -grunden. Lisa kom ofte til at lege med sine døtre.

"Jeg havde et kæmpe maleri af Elvis - et fløjlsmaleri, han havde givet mig," fortæller Kirk udelukkende Tættere. "Hun gik forbi maleriet, og hun tog sine små fingre og blæste et kys og sagde: 'Jeg elsker dig, far.' Jeg smeltede med det samme."

Ikke mange kendte Elvis i sin hverdag, men Kirk, 78, gjorde det. Fra 1972 til hans død siger hun, “han var ikke kun min patient, men en god ven.” Kirk observerede Elvis som en åndelig mand, en kæreste til Linda Thompson og en stjerne på turné. Og i 38 år holdt hun sine historier private. Derefter, i 2015's egenpublicering Pas på Elvis, skrev hun sine bittersøde minder ned.

"Vi delte mange timer sammen," husker hun. ”Jeg så tristheden og lykken. Jeg så sårbarhed. ” Kirk observerede også hans tragiske glidende ind i ensomhed og stofmisbrug. "Jeg var meget heldig [at have kendt ham]," siger hun. "Jeg ville ønske, at der var noget, jeg kunne have gjort for at gøre ham til en gladere person."

Kirk mødte Elvis omkring 1968, da hun behandlede ham på en medicinsk klinik i Memphis for sadelsår. Ødelæggende smuk så han ned, da hun og lægen talte med ham. "Jeg gik hen, løftede hagen og sagde: 'Elvis, hvis du taler til mig, ser du på mig,'" siger hun. Elvis kunne lide det, han kaldte Kirks "country ways", og i 1972 ansatte han hende som sin sygeplejerske og flyttede hende, hendes mand (som Elvis hyrede til arbejdssikkerhed) og deres piger til Graceland. "Elvis havde en måde at få, hvad han ville," husker hun.

"Han var meget familieorienteret," tilføjer Kirk, men også ensom. Elvis og hans kone, Priscilla, var adskilt. Selvom "de fortsat var meget tætte på telefonen", siger Kirk, "ændrede Elvis sin livsstil" efter splittelsen og gik mere ud. "Han ville have en ledsager, men det var svært for nogen i hans størrelse."

Hollywood Photo Archive/Mediapunch/Shutterstock

Da han blev involveret med frøken Tennessee Linda Thompson fra 1972, faldt Elvis hårdt. "Han var meget, meget glad for Linda," husker Kirk om den "intelligente ... fantastiske dame." Men Linda forlod ham et år før han døde, fordi hun sagde, "det var udmattende ... at se ham langsomt selvdestruere."

While Elvis often read the Bible — “he was a very spiritual person,” Kirk shares — he seemed to find no comfort. “The world thinks he has everything, and yet the happiness isn’t there,” she laments. “He was miserable because he’d gained so much weight. He knew he was not going to be able to perform like he wanted to.” Despite her efforts to improve his diet, it didn’t stick. Prescription drugs “came from everywhere,” she’s said. “His access to medications was overwhelming.”

Kirk was working at her clinic when Elvis died of cardiac arrhythmia, something she still regrets. “Had he had immediate medical attention, there’s a big possibility [he might have lived],” she muses to Closer. “But who knows?” Now, she treasures her years with Elvis. “I just want the world to know what a great, intelligent, kind-spirited individual he was,” Kirk says. “He was a very special person.”


It’s not that he was the first to be associated with the term Rock og rul in fact, Rocking and Rolling had been around since the early 1900s as a descriptive of the spiritual excitement of African-American church services. The shortened term was popularized by pioneering radio DJ Alan Freed beginning in the early 1950s, and various artists had early Rock and Roll hits before Elvis, notably Jackie Brenston’s “Rocket 88” in 1951. Even earlier, Roy Brown’s jump blues hit “Good Rockin’ Tonight”, among others, was laying out a blueprint for the music genesis spawned by the collision of R&B, Gospel, Country, and Rockabilly.

“Rock Around The Clock” by Bill Haley & His Comets, recorded just a few months before Elvis’ “That’s All Right”, eventually gave the genre its first mega-hit after being featured in the groundbreaking movie Blackboard Jungle. But it was Elvis who would emerge King of Rock and Roll. His barrage of recordings and live performances from 1954 to 1958 provided the catalytic spark igniting a music and cultural revolution that’s affected every Rock act since.

So, here at Heritage, we’ve gathered up our top reasons why Elvis Presley lives on as the “The King of Rock and Roll”:

1) No other performer has ever moved so naturally between the genres of Rockabilly, Country, Gospel, and R&B (and been recognized as an icon in each), essentially synthesizing these into a new form: Rock ‘n’ Roll.

2) The looks, the hair, the sneer, the moves.

4) Mr. Billboard! Most charted hits, Most Top 40 Hits, Most Platinum Hits, Most Gold Hits, Most Two-Sided Hits of all-time.

5) No one before or since could pull off wearing pink and black with such panache.

And because all these people said so:

1) “Before Elvis, there was nothing.” “Nothing really affected me until I heard Elvis. If there hadn’t been an Elvis, there wouldn’t have been the Beatles.” (John Lennon)

2) “A lot of people have accused Elvis of stealing the black man’s music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis.” (Jackie Wilson)

3) “Elvis is the greatest cultural force in the twentieth century. He introduced the beat to everything, music, language, clothes, it’s a whole new social revolution – the 60’s comes from it.” (Leonard Bernstein)

4) “When I first heard Elvis’ voice, I just knew that I wasn’t going to work for anybody and noboby was going to be my boss… Hearing him for the first time was like busting out of jail.” (Bob Dylan)

5) “There have been a lotta tough guys. There have been pretenders. And there have been contenders. But there is only one king.” (Bruce Springsteen)

6) “I don’t think there is a musician today that hasn’t been affected by Elvis’ music. His definitive years – 1954-57 – can only be described as rock’s cornerstone. He was the original cool.” (Brian Setzer)

7) “He’s just the greatest entertainer that ever lived. And I think it’s because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don’t give a f*** who was in the room with him, Bogart, Marilyn Monroe.” (Eddie Murphy)

Do you agree with us? Tell us in the comments below!

Also, don’t forget to check out our featured Elvis Presley items presented in the December 6 Entertainment & Music Memorabilia Signature Auction:

Posted by Jim Steele

Cheif Cataloger of Comics

The most compelling reason may be that, as far as I am aware, he never referred to himself by that title.

Others have tried to assume such stature through self-promotion with the most notable being Michael Jackson who reportedly declared himself the “King of Pop” and, according to authors R. Tannenbaum and C. Marks, he insisted that he be referred to as such by MTV. Regardless of the veracity of that narrative, Jackson may be the only self-proclaimed king to deserve such a moniker.

However, Elvis, like Jackson, was notoriously humble and while all manner of media may have crowned him repeatedly over the years, he never asserted such himself to my knowledge.

Give a listen to the open track of his “final concert” recording wherein a quick montage of fans report “He’s the king”, “The king of music” and “He will always be the king no matter what!” among other similar labels before the band can be heard diving into his signature version of “C.C. Rider”.

I must confess that I wore that 2-album set out when I was a kid. And still today, to me, “He will always be the king no matter what”.

What a great point! From the first time I saw Elvis on the Ed Sullivan Show, I was awestruck. The music, sure, but it was more than that. Here was this supremely talented artist, so stylistically flashy and unique, yet so humble – even self-deprecating at times. No wonder he had such rabid fans and admirers. King, indeed!

Chuck berry was the king of rock n roll ! Elvis put your guitar down ……when your next to that boy.

SIMPLE PUT ELIVIS WAS THE ON TOP OF THE HEAP THE BEST HE COULD sing ROCK COUNTRY THE BLUES GOSPEL HE WAS THE BEST that look those moves that stage present he had it all simply put men and women love elvis grand ma grand pa daughter son he is woven into the american fabric and it’s that simple he is love more today after his death its how you remember after your death

I love Chuck but no one had Elvis’ stage presence or record sales without Elvis the record industry would not be what it is.

Elvis was the culmination of rockabilly, country and rhythm and blues. He was the first to successfully blend what became the foundation of rock ‘n roll as we know it today. My grandmother bought me my first 45 Elvis record in 1962. I was only 6. I would watch all those early Elvis movies produced during the sixties (on television and in the theaters), and went on the see him perform 7 seven in the 70s when I was in college. The presence could not be reproduced. He had quite an influence on me and the music I enjoy to date. Elvis will always be the King of Rock ‘n Roll no matter what talent comes along. He started it all. Rest in peace Elvis. We all miss you, but remember you fondly and the way you made us feel when you sang.

My first 45 by any artist was Elvis’ double-sided masterpiece, “Hound Dog/ Don’t Be Cruel”. It was a Christmas gift and came with my first phonograph, a little portable I quickly wore out! That next year (1957), I spent my limited allowance on any Elvis 45 or EP (LPs were out of my price range) I could lay my hands on. Comments have touched on Elvis’ musical diversity, his roots in multiple genres. But whatever the genre, his ability to deliver a heartfelt, soulful performance, whether on a rocker or a slow song, was unmatched. I’m partial to the 󈧶s and early 󈨀s songs, but his “comeback” period of the late 󈨀s-early 󈨊s is also compelling. Let me throw something out for discussion. What do you think are his most important songs? Not favorites, necessarily – we’ll tackle that one later! I’ll get it started, although I’m wimping out somewhat by listing chronologically rather than actually ranking:

1) “That’s All Right” – Don’t you have to start at the beginning?
2) “Heartbreak Hotel” – This was his big-time debut with RCA, and the first time many outside the South were really exposed to Elvis.
3) “Hound Dog/ Don’t Be Cruel” – Hard to separate these two which traded-off holding down #1 on the charts for 11 weeks in the summer of 1956.
4) “Love Me Tender” – Practically a capella, an essential love song from his first movie.
5) “All Shook Up” – His biggest single ever. A mid-tempo classic that both rocks and slow burns.
6) “Jailhouse Rock” – One of his last real rockers before Uncle Sam took him away the next year, and one of his best.
7) “It’s Now Or Never” – The epitome of Elvis’ post-Army days “mature” voice. Arguably his best vocal performance ever.
8) “Little Sister/ (Marie’s the Name) His Latest Flame” – Another double-sider that’s hard to separate. Both great.
9) “Can’t Help Falling In Love” – Most consider it his greatest slow song.
10) “Suspicious Minds” – The glorious high point of his “comeback” period.

This took me longer than I expected! I considered many more before I came up with this list. Frankly, I’ll be surprised if anyone comes up with exactly the same Elvis’ Most Important Songs list – give it a whirl!

Elvis was a year older than me. I was nuts over his music, like most everyone else. We were both in the U.S. Army at the same time, stationed at Fort Hood, TX. I was there as permanent cadre, but he was there passing through on his way to going overseas. This was between the Korean and Viet Nam wars. I met him in the local PX (Cafeteria) and obtained his autograph, which I subsequently gave to my cousin.

That’s my story on Elvis and I’m sticking to it!

There are many artists currently setting new records and breaking old ones in the music industry. A big reason Elvis is The King is because he is still the only artist to have success on mutliple Billboard singles and album charts, as well as around the world. Not only that, he is the only artist to have been inducted to multiple music halls of fame. Elvis was an incredibly talented singer and performer, unlike any in the hisoty of entertainment.

Thank you for participating in the discussion! We appreciate your input on the The King.

Poor ol country who became the king of rock and roll

Everybody throwing around these consumerist terms like “Rock n Roll”, “Rock a Billy”…ect ect ad nauseum. Know the difference between genre and derivitive style. These are terms of commercialism. Do not forget that music is evolutionary. There is no KING. Would there be an Elvis without a Charlie Patton?

I’m 61 years old a Chicago police office and love Elvis! Was at Graceland 5X ,, n when I was thinner I used to do fund raisers doing ELVIS .

[…] the international star of television, Hollywood movies, and Las Vegas. The Hillbilly Cat became the King of Rock and Roll and a cultural icon. Elvis Week is in full swing at Graceland, Elvis Presley’s Memphis home, […]

I love him he was the Best

He was God’s gift to the world in music that revolution a new kind of music all over the world

What surprises me is the commentaries are from males, I loved Elvis as did all my girlfriends. Raised down south it was natural but then I moved tot New England and found many males loving his music. Just goes to show.

Thank you for your comment.

j ai 53 ans et depuis l age de 13 ans en 1977 j écoute tous les jours ELVIS .il ne c est pas passe une journée sans que sa musique m accompagne que se soit a vélo chez mes parents, au travail,l en voiture , et TOUJOURS aujourd’hui , mes enfants le connaissent bien évidement. Il a été une révélation , il a influence considérablement et positivement certains aspects de ma vie professionnelle , tout en lui correspondait a certaines de mes attentes . OUI j aime ELVIS , sa vie , sa musique , l homme qu il etait je le remercie pour tout ce qu il m a apporte . JE l écouterai TOUJOURS

[…] more reasons for why Elvis Presley is called the King of Rock ‘n’ Roll? Check out The Heritage Blog for a list of […]

My Mom loved Elvis. so i grew up listening to Elvis songs and watching Elvis movies. He was so handsome, it was almost unreal to me. And his voice, and move’s, i just loved him. I was married in 1988, i was 21. Our song was “Cant help falling in love with you”. I love Suspicious Minds, Teddy Bear, In the ghetto, and Return to sender, were my other favorite’s. I am 50 now and still watch his movies when they are on Television around his Birthday. And it still seems unreal to me how beautiful he was.

I grew up in North Hollywood, cruising Van Nuys Blvd after the drive in movies watching James Dean in “Rebel without a Cause” and Marlon Brando in the “Wild One,” but it was the voice of Elvis Presley that exploded from the cars. I remember a disc jockey that commented on the song “King Creole” and said, “Man, that guy’s the King of Rock n roll.”

It was the sound of Elvis that the “wild and rebel” teens brought out to cruise and pick up chicks. Elvis looked the part of Brando and Dean but Elvis had the voice that went with the looks.

James Dean died just 4 months before Elvis released “Heartbreak Hotel, and the James Dean lead in “A Stone for Danny Fisher” was shelved, until Elvis, recognized
by the studio as the next James Dean, that they rewrote the script, and the movie “King Creole” was a smash.

The pompadour with ducktails epitomized in the movie “Grease” was precisely the Elvis look. Guys wore their skinny silver belts buckled to the side because Elvis did. The funny part is that Elvis had a reason to buckle his belt to the side…he didn’t want to scratch the backside of his guitar, but the fashion fad stuck.

The freedom of information act disclosesd that the FBI was so concerned about the hold that Elvis controlled over a generation of kids, that J.Edgar Hoover ordered General Hershey of the draft board “to get Elvis off the street.” It was a time in the United States that the possibility of a pied piper was a real concern.

Church pastors condemned him and his music. Elvis was blamed for juvenile delinquency. It was ridiculous in retrospect, but I remember it well.

I have to admit, that some of the lyrics were over the top for the times, just listen to “Baby let’s Play House.” Talking about a sound that knocked my white socks off. WOW! That was true “rebel” and “Wild.”

Hi John, thank you for your comment.

The first time that a major newspaper or publication referred to him as the King of Rock and roll was in November of 1956, and the title came from Variety. They knew that in the preceeding eleven months he had racked 5 #1 singles, 2 #1 albums, sold 10 million units, half the outpit of RCA, then the largest music conglomerate in the world, attracted 500,000 teens to his 245 sold out shows and garnered 235 million cumulative television viewers for NBC and CBS in his 11 appearances. They also knew jhis first film , which opened n TYhanksgiving, recouped its cost in three days, via his beingh able to attract some 7 million teenagers to almost a thousand theatres. They aslo were able to realize that rock had represented 5% of the market in 1955, and that it had exponentially jumped to about 68%, in less than 11 months. Since he was the prme mover in making that happen, that is why they called him the King.Not because he was the first, or the m ost virtuous, or the greatest at anything he did, but because he could do it all, and because Kings musdt have subjects, and Presley had them in the tens of millions. Of the 60 million who watched his first perfoemnce at the Sullivan Show, thirty million can be easily number of people who he had already made his, or became his fans on that night. Now, no one in the history of television had reached this many fans, on his or her own. Another thing Variety knew but did n9ot tell, was that theree dfays after that appeaerance, the proce of an ad in prime time, meaning the top slot, that of Sunday at 9 pm, jumped for US$90,000 to US$250,000 a minute. So, this is why Variety called him the King, but had they waited for the economic data, which for 1956 was only available in the first quarter of 1957, they would have also realized that the sale of trasistor radios, record players, recorders, personal or family oriented, guitars, music instruments as well as televisions jumped to twice, thrice, and sometime ten times the numbers reached in the 1955 year. Eventually, the title stuck because he was as well, little by little, known as his country’s largest personal tax contributor, as the most celebrated regular GI recruit in the history of the US Armed Forces, as the most photographed musician in history and finally, and certainly most importantly, as the most modest, most readily available to his fans, as well as the most eclectic and important singer that ever lived.

My previous was sent before I could correct the typos. Here is the corrected version. The first time that a major newspaper or publication referred to him as the King of Rock and Roll was in November of 1956, and the title came from Variety. They knew that in the preceeding eleven months, he had racked 5 #1 singles, 2 #1 albums, sold 10 million units, half the outpit of RCA, then the largest entertainment conglomerate in the world, attracted 500,000 teens to his 245 sold out shows and garnered 235 million cumulative television viewers for NBC and CBS in his 11 appearances. They also knew his first film , which opened on Thanksgiving, recouped its cost in three days, via his being able to attract some 7 million teenagers to more than a thousand theatres. They also were able to realize that rock had represented 5% of the market in 1955, and that it had exponentially jumped to about 68%, in less than 11 months. Since he was the prime mover in making that happen, that is why they called him the King.
Not because he was the first, or the most virtuous, or the greatest at anything he did, but because he could do it all, and because Kings must have subjects, and Presley had them in the tens of millions. Of the 60 million who watched his first performance on the Sullivan Show, thirty million can be easily be counted as the number of people who he had already made his fans, or became his fans on that night. Now, no one in the history of television had reached this many fans, on his or her own. Another thing Variety knew but did not tell, was that three days after that appearance, when the ratings were announced, the price of an ad in prime time, meaning the top slot, that of Sunday at 9 pm, jumped for US$90,000 to US$250,000 a minute. So, again, this is why Variety called him the King. But had they waited for the economic data, which for 1956 was only available in the first quarter of 1957, they would have also realized that the sale of transistor radios, record players, recorders, personal or family oriented, guitars, music instruments as well as televisions jumped to twice, thrice, and sometime ten times the numbers reached in the 1955 year. Eventually, the title stuck because he was as well, little by little, known as his country’s largest personal tax contributor, as the most celebrated regular GI recruit in the history of the US Armed Forces, as the most photographed musician in history and finally, and certainly most importantly, as the most modest, most readily available to his fans, as well as the most eclectic and important singer that ever lived.

Jim
I just finished a book titled ELVIS: The King of Rock and Roll. We are looking at a number of publishers at the moment, and mulling offers. The book focuses primarily on Elvis’ rise from nothing to his coronation as The King of Rock and Roll.
The book dispels all who lay claim to the title, or believed that they were entitled to a title that Elvis clearly earned. It also discusses in detail, the social, political landscape at the time, and also dispels the discussion of “cultural appropriation”. I like to say that my book clearly shows Elvis not from today’s perspective, but from the perspective of the time – from 1954-1956.
I will put a link to your site on my book website, and hopefully we can trade some discussions.
The Website is currently in construction….
Let me know if you are interested in talking .
F.R. D’Onofrio

just wanted to say that Elvis Presley was and still is the king of music and though his music is not played as it once was on the radio and tv the people of all ages are coming to know just how special of a person that this man was and continues to be.
I remember when I just turned 5 years old and watching him perform on the 1968 nbc comeback special and remember thinking to myself that this is somebody who is really different than anyone else out there and I saw this at only being 5 years old and as I grew older and in school the kids in my class were loving people like Elton John The Rolling Stones Elo etc etc I told all my classmates that Elvis is the best as far as I was concerned.
And one time I think it was third grade they had on the front cover who is the real king of rock in roll Elvis chuck berry Elton John and I said see see everyone that’s what I have been saying to you guys that he is the best.
Well the weekly reader at that time said that most likely it was Elvis based on the fact of his popularity record sales and concerts that were sold out in a matter of hours and sometime minutes.
So ladies and gentlemen I am and will continue to be a fan of
Elvis Aron Presley and notice Aron with 1a I also think that he did not die on August 16 1977 but that’s a whole nother story.
Sincerely, a Elvis Presley fan for life!


The king is dead: a classic Elvis Presley tribute from the vaults

I t was one of the worst storms to hit London since God knows when. The thunder rolled, lightning flashed and the rain hammered into the roof. There's something about a storm that brings a sense of doom. It fitted so perfectly.

When the ITV news flash sign came on the TV screen everyone looked up. When the flash sign was immediately followed by a still of Elvis Presley, a quiet voice breathed, "Oh, my God."

"Reports are coming in that Elvis Presley, the rock and roll singer, died this evening at his home in Memphis, Tennessee."

We all looked at each other in disbelief.

It didn't seem quite credible. And yet it wasn't the kind of shock that followed the news of J.F.K. being cut down. There had been so much speculation about Presley's mental and physical health that his death was unpleasantly predictable.

It was almost impossible to know what to think. My first impulse was to pick up the phone and call a couple of people. I tried two numbers, but they were both busy. Obviously other people had reacted the same way. It was the kind of news that demanded to be passed on. Elvis had always been there. For more than two decades he'd maintained a unique position in too many people's lives. Despite all the depressing rumours it scarcely seemed possible that he'd gone, that Elvis Presley was dead at 42.

I guess the only word I can use is numb. Numb, and just very slightly embarrassed at the way I was reacting. It wasn't the ordinary kind of grief that you feel for a personal friend. There was no voice telling me that I'd never see Elvis Presley again. Jesus Christ, I'd never seen him, ever. I didn't even regret that I'd never get the chance to see him. The Elvis Presley I'd have given my right arm to watch was the wild hoodlum in the gold jacket who vanished into the US Army and never returned. I'd mourned his passing many years ago.

I think, to be absolutely truthful, any grief for Elvis Presley has to be bound up with a grief for my own early youth. It's grief for that long vanished innocence, that virgin state in which it was possible to discover rock and roll for the very first time.

The moment when I first heard Heartbreak Hotel coming out of the radio was an experience that's impossible to reproduce. It was a time when the radio didn't add up to much more than The Archers, Journey into Space and The Goon Show. The readily available music was all Que Sera Sera, Love And Marriage and How Much Is That Doggie In The Window?

After Heartbreak Hotel, all that changed. Music had the power. It may have taken another six or seven years for Bob Dylan to articulate it, but right from the start it was obvious that the times were changing. If it needed a confirmation, it was right there in the way Elvis was condemned out of hand by parents and pulpit.

Elvis Presley was far more than just an entertainer. He was something different to Frank Sinatra or Bing Crosby. He'd picked up the teenage banner that had been dropped by James Dean. He not only picked it up, but he picked it up and ran with it. From the way he combed his hair to the sneer and the snapping knee, he was the beginning of the rebellion. You stopped thinking about being a chartered accountant and began to wonder if, just maybe, you could be Elvis.

Of course, the passing years brought disappointments. He came back from the army to make all those awful films and often equally awful records. The greatest white R&B singer the world had ever seen decayed before our eyes into a Hollywood clown who appeared to have no respect for his work, his audience or himself.

If it had been anybody but Elvis Presley he probably would have been quietly forgotten, but he was just too big for that. If it was only in the middle of the night, when listening to the old records, the magnetism still came alive in those attempts to recapture the first careless rush. It was a haven of simplicity in a world of Visions Of Johanna and Have You Seen Your Mother, Baby.

Presley had racked up so much affection in the '50s that it was even hard to blame him for his dire output. More often than not the blame was laid at the door of Colonel Tom Parker. It may not have been logical, but even when he did his worst, it was hard to believe that it was Presley's fault.

Elvis-worship lay dormant in a lot of us during the '60s. Just how many of us became noticeable by those who sat up and took notice when, at the end of the decade, it suddenly seemed as though our man was going to make a comeback with records like Promised Land, Burning Love, his TV special and his return to the live stage at the Las Vegas Hilton. As it turned out, Presley didn't come back to us. His return was for the blue rinse and double-knit set. He was fated never to return to rock and rollers and overgrown juvenile delinquents who had sweated out their adolescence with him.

Once again the decay started. His public behaviour became erratic. It looked as though – instead of coming back – Elvis Presley had dipped his toe into the real world but quickly withdrawn it again. The rumours flowed out from behind the high walls of his guarded mansions. They talked about his custom-built blondes, his drugs, his neurotic eating and violent temper tantrums. His marriage came and went, and the figure who was once a hero turned, bit by bit, into a petulant, overweight pampered child.

It was sad. It was like watching an old friend, whom you hadn't seen in a long time, slowly going to pieces. That may have been sad, but it was only a fraction as sad as the thought of Elvis Presley, maybe the biggest idol the world's seen yet, dying alone and disturbed in his luxury prison. There's just no way that you can help an idol. Maybe, in the final analysis, the world can't support an Elvis Presley all the way to a fulfilled and peaceful old age.

The clichés come thick and fast at a time like this. Some of them are even true. Without Elvis Presley, history would certainly have been different. Jagger might have become an estate agent, Dylan a rabbi, Lennon a bricklayer or Johnny Rotten a judge. He probably was one of the tiny handful of artists who actually affected the course of human affairs. Maybe the load was too much for him to carry. Jeg ved ikke. None of us can really imagine how it feels to walk around being Elvis Presley every day of your life.

All this isn't what's really important. All I know is that the death of Presley has produced a kind of dull hurt that's hard to pin down. I can't exactly define why or how it hurts. All I know is something that used to be important to me has gone.

I guess that's the measure of the man and what he meant. At least, what he meant to me.


The impact of the Elvis conspiracy theories

The conspiracy theories bring unnecessary pain to Presley&rsquos family, said Lacy, who calls himself a &ldquobig Elvis fan.&rdquo &ldquoI didn&rsquot just get into this because I&rsquove got nothing better to do. I believe that the people who say Elvis is alive are doing a great disservice to him and his family,&rdquo he said. &ldquoImagine you have to go through your life saying your father did all of these things and that he conned his fans. Elvis&rsquo death hurt a lot of people. It still does. You have to ask what kind of person would Elvis be to do that to his fans?&rdquo

A vast majority of Americans believe Presley did in fact die in 1977. A Gallup poll conducted in 1997 found only 4% of Americans thought Presley was alive, while 93% of those surveyed were certain he was dead.

Still, Brewer-Giorgio remains firm on her stance. The Georgia woman, who said she does not have a single Elvis album and owns no memorabilia of him, insists her findings are based on facts and not feelings. &ldquoI know what he really did,” she said. “The world needs to know that Elvis Presley put his life on the line.&rdquo

“I think it&rsquos sad that we don&rsquot know the whole Elvis,&rdquo she added. &ldquoIf I don&rsquot do this for Elvis, nobody is going to.&rdquo


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